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5 Μαΐ 2005 · Larenz Tate and Ludacris in "Crash." "Crash" tells interlocking stories of whites, blacks, Latinos, Koreans, Iranians, cops and criminals, the rich and the poor, the powerful and powerless, all defined in one way or another by racism. All are victims of it, and all are guilty it.
- Grand Canyon
Lawrence Kasdan’s “Grand Canyon” begins in much the same way...
- Crash
The idea of deliberately seeking death in a speeding car is...
- Grand Canyon
21 Μαρ 1997 · The idea of deliberately seeking death in a speeding car is not attractive to anyone; those who seek it want suicide, not ecstasy. "Crash'' is about characters entranced by a sexual fetish that, in fact, no one has. Cronenberg has made a movie that is pornographic in form, but not in result.
Crash study guide contains a biography of director Paul Haggis, quiz questions, major themes, characters, and a full summary and analysis.
22 Απρ 2023 · Crash shows that we should reanalyze the distinctions between "male" traits, such as decisiveness and aggression, and "female" traits, like submissiveness, non-aggression, and intuition. The movie portrays a Persian American shop owner who buys a handgun to protect his wife and his daughter, Dorri.
A racist cop gets into a car accident with another racist driver. We flash back to the day before, when a racist gun store owner sells a gun to an angry Persian man and his not-angry, not-racist daughter.
1 Αυγ 2005 · Sandra Bullock is startling as a bitchy housewife, Don Cheadle brings beaten-down grace to the role of a weary detective and, as a racist cop, Matt Dillon's steely presence holds...
“Crash” is a powerful and thought-provoking film that offers a nuanced exploration of the complexities of identity and prejudice. By delving into the interconnected stories of diverse characters, the film challenges stereotypes, promotes understanding, and highlights the power of human connection.
