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  1. The first diagram below corresponds exactly to this layout (apart from the harp, which is seated behind the violins in the picture, but is absent from the diagram). Now for some other seating plans: Triple woodwind, but five horns and four trumpets make for a strong line of brass.

    • Score Layouts

      It is generally best to use separate staves for each...

    • Flutes

      There are several flutes in common use in the orchestra. The...

    • Trumpets

      Use the navigation bar above to explore the trumpet pages....

    • Horns

      Use the navigation bar above to explore the horn pages. The...

  2. 31 Αυγ 2015 · The first chair is basically the best player of the section. That means that the person in that chair has an opportunity to teach the rest of the section how to do certain things. For example, an orchestra: the first chair would be the example of the bowing and fingering. For band: fingering and some other things.

  3. 13 Σεπ 2021 · A basic orchestra arrangement will have four sections – strings, woodwinds, brass, and percussions but it’s not set in stone. There are many factors like hall size and music piece that weigh into orchestra arrangement.

  4. 17 Ιαν 2024 · Sections and Instrument Placement. Orchestra seating typically comprises several sections, each housing specific instrument groups. The string section, for instance, is often placed front and...

  5. Students will learn where the sections are, the difference between the inside seat and outside seat, how to count desks no matter the size of the space, and where the section leaders and concertmaster sit.

  6. Coloring chairs. To set colors for chairs, first click the edit chair colors link. Select a color from the palette, and click on the chairs one at a time to make them the selected color. Use the checkboxes above the palette to control whether to color the chair outlines, labels, or both.

  7. Musical Chairs: German, American Seating. Orchestras around the world experiment with different seating arrangements to achieve a particular “sound” for each performance. The choice of seating plan also depends on factors such as the programme and the conductor’s preferences.

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