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  1. Their summary covered 32 empirical studies—starting chro-nologically from Hevner (1936) through to Balkwill and Thompson (1999)—that examine the role of separate musical factors (tempo, articulation, harmony, timbre, etc.) in the expression of different emotions.

  2. 2 Οκτ 2014 · This chapter provides a review of psychological studies of expression and communication of emotions in the performance of music. First, we provide working definitions of key concepts, and consider how performers may conceive of these issues.

  3. 11 Αυγ 2017 · the expression and communication of specific emotions in music performance is being subjected to experimental analysis. The principle is that the performer is given pieces of music and asked to perform them so as to express different emotions. The pieces are usually short and monophonic to facilitate the analysis of the performance. They may be

  4. This multiple-layer conceptualization of expression in music can help to explain both similarities and differences between vocal and musical expression of emotions.

  5. 26 Ιουλ 2021 · Meaningful music can open the listener’s heart by sparking them to contemplate about life, and expressing love toward close others, while pleasurable music can open the listener’s heart by being joyful, making people laugh and make new friends.

  6. For instance, extra-musical information intensifies [29.113], lyrics both enhance and subdue [29.114], and images amplify [29.60] the emotional experiences aroused by music. Individual traits, moods, expertise and preferences of the listeners also modify emotions.

  7. 20 Αυγ 2012 · The research literature concerning gesture in musical performance increasingly reports that musically communicative and meaningful performances contain highly expressive bodily movements.