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Howard Winchester Hawks (May 30, 1896 – December 26, 1977) was an American film director, producer, and screenwriter of the classic Hollywood era. Critic Leonard Maltin called him "the greatest American director who is not a household name." [2]
- Howard Hawks Filmography
Howard Hawks (1896–1977) was an American film director who...
- Dee Hartford
In the late 1940s, Hartford was a model for Vogue. [4] [5]...
- Howard Hawks Filmography
Hawks' movies not only span a wide variety of genres, but frequently rank with the best in those genres, whether the war film ("The Dawn Patrol"), gangster film ("Scarface"), the screwball comedy (His Girl Friday (1940)), the action-adventure movie ("Only Angels Have Wings"), the noir (The Big Sleep (1946)), the Western ("Red River") and "Rio ...
Howard Hawks (1896–1977) was an American film director who made 40 films between 1926 and 1970. He is responsible for classic films in genres ranging from film noir, screwball comedy, crime, science fiction, and Western.
30 Αυγ 2019 · His directorial run from 1926 to 1970 encompasses action-adventures, screwball comedies, gangster films, Westerns, noirs, musicals, war films, science fictions and historical pageants, but the seeming variety of his output betrays a remarkable coherence of vision, a precise attitude toward genre filmmaking that endured through the different ...
Biography. Howard Winchester Hawks (May 30, 1896 – December 26, 1977) was an American film director, producer and screenwriter of the classic Hollywood era. He is popular for his films from a wide range of genres, including screwball comedies [Bringing Up Baby (1938), His Girl Friday (1940), Gentlemen Prefer Blondes (1953)], westerns [Red ...
3 Οκτ 2024 · Howard Hawks (born May 30, 1896, Goshen, Indiana, U.S.—died December 26, 1977, Palm Springs, California) was an American motion-picture director who maintained a consistent personal style within the framework of traditional film genres in work that ranged from the 1920s to the ’70s.
28 Οκτ 2011 · Biography. Because he left “no contemporary record of what he was thinking, feeling, and doing throughout his life,” and because of the director’s “Sphinx-like” personality, Hawks has long been treated as one of the more enigmatic major figures in the classical Hollywood cinema.
