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Cindy’s photographs do reference normative gender roles, but only to subvert them. Some of the figures pose with a hand in their pocket, a typical masculine trope. Others depict two figures side-by-side.
The enigmatic figures pictured in the ten new photographs on view are dressed primarily in men’s designer clothing and are posed gallantly in front of digitally manipulated backgrounds composed from photographs Sherman took while traveling through Bavaria, Shanghai, and Sissinghurst (England).
16 Σεπ 2020 · These modestly sized photographs, which launched Sherman’s career, see her shape-shift into a series of stereotypical female character tropes as represented in both American and European cinema throughout the 50s and 60s.
Cindy Sherman. The Centerfolds. 1981. NARRATOR: Curator Eva Respini. EVA RESPINI: In this gallery you see all 12 photographs from the series known as The Centerfolds. They all measure two by four feet, which, at the time, was huge for photography.
25 Οκτ 2020 · The enigmatic figures pictured in the ten new photographs on view are dressed primarily in men’s designer clothing and are posed gallantly in front of digitally manipulated backgrounds composed from photographs Sherman took while traveling through Bavaria, Shanghai, and Sissinghurst (England).
Cynthia Morris Sherman (born January 19, 1954) is an American artist whose work consists primarily of photographic self-portraits, depicting herself in many different contexts and as various imagined characters.
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