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They resemble publicity pictures made on movie sets, adopted from female roles in magazines, advertisements and especially movies. All Sherman’s personas in Untitled Film Stills project the constructed idea of the women’s image, pointing out the arbitrariness of the female stereotypes.
As “a-woman” and “Woman” fuse in one photo, personal emotions and global gender issues intertwine: the personal becomes political. The interpretations of critics who accuse Sherman’s photos for staying inside the patriarchal scenario might not have gone further than the reading of the surface.
Cindy Sherman. The Centerfolds. 1981. NARRATOR: Curator Eva Respini. EVA RESPINI: In this gallery you see all 12 photographs from the series known as The Centerfolds. They all measure two by four feet, which, at the time, was huge for photography.
Appropriating female images and stereotypes in television, film and advertising – such as the femme-fatale, career girl and housewife – Sherman’s work offers a critique of traditional gender roles and identity.
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18 Ιουλ 2021 · The photographs of Cindy Sherman often capture iconic representations of women while offering a critical approach. They can be interpreted as questioning gender norms through the lens of feminist art.
