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Church Music and the Council of Trent 577 November 1563, a new formulation was devised and the task of carrying out the provisions for church music was entrusted to the Provincial Synods.3 The Council confined itself to a few principles which were designed to delimit the scope of church music.
Trent John W. O'Malley,2013-01-15 Winner of the John Gilmary Shea Prize The Council of Trent (1545–1563), the Catholic Church’s attempt to put its house in order in response to the Protestant Reformation, has long been praised and blamed for things it never did.
Church Music and the Council of Trent - Free download as PDF File (.pdf), Text File (.txt) or read online for free. The Council of Trent addressed church music in the 16th century to curb abuses and establish fundamental principles.
Summary. The council’s principal ruling on sacred music, its condemnation of the “intermingling of anything wanton or impure,” took aim at immoderate practices such as self-indulgent virtuosity, complex counterpoint that obscured verbal texts, and the incorporation of music originally associated with lascivious lyrics.
The Council of Trent: Reform and Controversy in Europe and Beyond (1545–1700). Vol. 1 Louvain’s Contribution to the Ongoing Historiography on the Council of Trent 19 and musical culture. Moreover, this volume focusses on the global impact of Trent through missions in the Americas, Africa, and Asia.
The Council of Trent. Reform and controversy in Europe and beyond (1545–1700), I: Between Trent, Rome and Wittenberg; II: Between bishops and princes; III: Between artists and adventurers. Edited by Wim François and Violet Soen.
Irène Plasman-Labrune analyzes the long struggle for Trent’s acceptance in France and points out that the demand for excluding ‘foreign’ clerics from pastoral care in France became an important point of discussion, merging Gallican claims with Tridentine prescriptions of residence.