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Church Music and the Council of Trent 577 November 1563, a new formulation was devised and the task of carrying out the provisions for church music was entrusted to the Provincial Synods.3 The Council confined itself to a few principles which were designed to delimit the scope of church music.
1 Ιαν 2012 · With respect to the liturgy, however, it is legitimate to raise the question whether the Council of Trent produced a genuine liturgical reform. This article proposes to answer this question...
The article then provides a summary of the three main periods of the Council of Trent: 1545–1547; 1551–1552; and 1562–1563 along with the 1547–1549 Bologna period. This is followed by a detailed overview of the reforms of the council, which were both doctrinal and disciplinary.
Arguably, the greatest contribution that the Council of Trent made to music history was to delegate responsibility for musical practice to provincial synods and bishops. In this essay I will identify some priorities for musical reform that existed in the Catholic Church at the time of Trent.
The Council of Trent: Reform and Controversy in Europe and Beyond (1545–1700). Vol. 1 Louvain’s Contribution to the Ongoing Historiography on the Council of Trent 19 and musical culture. Moreover, this volume focusses on the global impact of Trent through missions in the Americas, Africa, and Asia.
1 For excerpts from a number of 15th- and 16th-century council resolutions see K. G. Fellerer, Church Music and the Council of Trent, in The Musical Quarterly, XXXIX (1953), 578-80.
reformers had called into question not only its theology and how it was articulated but also the nature of its community, its liturgy, its rituals and the music associated with them. A direct precursor of those musical changes was Luther’s translation of the Bible from Latin to German, completed in 1534, a work that became a true monument
