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  1. The article then provides a summary of the three main periods of the Council of Trent: 1545–1547; 1551–1552; and 1562–1563 along with the 1547–1549 Bologna period. This is followed by a detailed overview of the reforms of the council, which were both doctrinal and disciplinary.

  2. The Council of Trent (Latin: Concilium Tridentinum), held between 1545 and 1563 in Trent (or Trento), now in northern Italy, was the 19th ecumenical council of the Catholic Church. [1] [2] Prompted by the Protestant Reformation at the time, it has been described as the embodiment of the Counter-Reformation. [3] [4]

  3. Reforms Before the Council of Trent. The Council of Trent is believed to be the apex of the Counter-Reformation’s influence on church music in the 16th century. However, the council’s pronouncements on music were not the first attempt at reform.

  4. Church Music and the Council of Trent 577 November 1563, a new formulation was devised and the task of carrying out the provisions for church music was entrusted to the Provincial Synods.3 The Council confined itself to a few principles which were designed to delimit the scope of church music.

  5. 2 ημέρες πριν · On reciting, in session, the decrees of the Council under Paul III and Julius III. On the close of the Council, and on suing for confirmation from Our Most Holy Lord. Acclamations of the Fathers at the close of the Council. Confirmation of the Council. Bull of Our Most Holy Lord Pius IV, by the providence of God, Pope, touching the confirmation ...

  6. The Council of Trent was an ecumenical council of the Roman Catholic Church held between 1545 and 1563, aimed at addressing issues raised by the Protestant Reformation and reforming church practices. It played a crucial role in the Counter-Reformation, impacting various aspects of church music, art, and liturgy during this transformative period.

  7. Arguably, the greatest contribution that the Council of Trent made to music history was to delegate responsibility for musical practice to provincial synods and bishops. In this essay I will identify some priorities for musical reform that existed in the Catholic Church at the time of Trent.