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This thesis aims to investigate how architecture became dominated and controlled by vision, how it’s relation with history was used as a tool for design and as a mean for understanding true meanings. Architecture is judged by what people see, in such
18 Σεπ 2020 · Traditionally, architectural practice has been dominated by the eye/sight. In recent decades, though, architects and designers have increasingly started to consider the other senses, namely sound, touch (including proprioception, kinesthesis, and the vestibular sense), smell, and on rare occasions, even taste in their work.
The aim of this study is to present how several authors have revisited the history and historiography of modern architecture after Tournikiotis’ dissertation (defended in 1988), especially after its publication in English in 1999.
Problematising pictorial space as a construct of art historical literature, it proposes place as an alternative approach to architectural settings, reflecting on the different guises of perspective as an abstract science and as a practical tool for artists.
While art history usually concentrates its interpretive energies on a work of art’s original function and context, most works find the majority of their viewers after the death of their original audience. This anthology looks at the reception of medieval works of art and architecture in the centuries after their creation.
The interactive process of encoding and decoding forms and spaces in architecture leads to experience. This paper focuses on understanding how the architectural marvel still evokes emotive responses in the perceiver.
From Deep Structure to an Architecture in Suspense: Peter Eisenman, Structuralism, and Deconstruction THOMAS PATIN, Western Washington University This article examines the events that led architect Peter Eisenman to abandon his earlier mode of working, exemplified by his houses of the sixties through
