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  1. For the point of departure, we took four generations of the sociology of art as defined by Nathalie Heinich as well as the identification of the following four elements: an artwork and its reception, an artist and a creative process, an audience, and a social-institutional framework.

  2. For the point of departure, we took four generations of the sociology of art as defined by Nathalie Heinich as well as the identification of the following four elements: an artwork and its reception, an artist and a creative process, an audience, and a social-institutional framework.

  3. Since the first edition of Sociology of the Arts, the literature in the field has grown vibrantly, as more sociologists recognize the value of studying the fine and popular arts.

  4. 13 Δεκ 2020 · The ninth edition of Sociological Theory by George Ritzer gives readers a comprehensive overview of the major theorists and schools of sociological thought. Key theories are integrated with biographical sketches of theorists, and are placed in their historical and intellectual context.

  5. Social Theories of Art: A Critique(1997) and (with Barry Sandywell) Interpreting Visual Culture(1999). He is currently preparing a book on reflexive social theo-ries of modernity and visual art. Richard Hobbsis Senior Lecturer in French and co-director of the Centre for the Study of Visual and Literary Cultures in France at the University of ...

  6. For the point of departure, we took four generations of the sociology of art as defined by Nathalie Heinich as well as the identification of the following four elements: an artwork and its reception, an artist and a creative process, an audience, and a social-institutional framework.

  7. Classical sociological theories of art devel-oped in parallel with esthetic modernism. Across the arts, modernism characteristically involved a sophisticated rejection or transgression of established rules and practices, and sought to invent a new artistic past.