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1 Ιαν 2012 · The present study aims to determine the role of music in creative drama workshops, its effectiveness in the warm-up, enactment, and evaluation stages, and recommendations for its utilization.
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31 Δεκ 2013 · The goal of this chapter is to review contemporary empirical research on music and emotion primarily within music psychology. We begin by commenting on the recent history of the field. Then,...
3 Ιουλ 2014 · In this book, our goal was to bring together research from a range of disciplines that use diverse methodologies to provide new perspectives and formulate answers to these questions about the...
26 Μαρ 2019 · For this review, 24 German and English empirical studies that tested music’s potential to convey meaning were identified to be compared in their research questions, the characteristics of their methods, designs, samples, and stimulus materials, as well as main results.
2 Οκτ 2014 · This chapter considers the psychology of music in the contexts of performance arts, in particular the arts of the moving image, drama, and dance. Research activity in the psychology of music far exceeds that of psychological research in any of these other art forms.
Though some studies focus on wellbeing outcomes for active engagement with music (e.g., Hallam, Creech, Varvarigou, & McQueen, 2012), positive relationships can be found in the literature for all types of music engagement.
To comprehend fully what music does for movies, one should see a picture before and after its scored, first in rough cut and then in final cut. Not only are dramatic effects heightened by the addition of music and, frequently, sound effects, but in many instances the faces, voices, and even the personalities of the players are experientially ...
