Αποτελέσματα Αναζήτησης
music is of special interest and is known to only a small fraction of the popu-lation. In the 19th century there were some Philippine composers who wrote small pieces - chiefly love songs that despite their clear derivation still retain a certain native expression. Others wrote more ambitious works (operas, masses, etc.) in the classical tradition.
The document provides an overview of the history of Philippine music. It discusses the three main influences: indigenous traditions, Spanish-European influenced traditions, and American influenced traditions.
This paper seeks to theorize the adverse and favorable effects of K-pop music with regard to its significance to contemporary Filipino national identity through assessment of history, culture, and meaning.
This report aims to give a picture of the state of musicological studies Philippines. It includes studies on music transmitted by oral tradition musicological) as well as research done on written music (musicological). Filipinos who received further musical training in the United States.
Pairing the Filipinism ideology with a stance on musical hybridity, artists like Bob Aves, Grace Nono, and Joey Ayala have sought since the 1990s to promote a Philippine “world beat” sound in folk, jazz and popular music.
The thesis examines the styles of music and the ways in which music is used by the Filipino migrant community in Christchurch during 2008, encapsulated in their fiesta celebrations. It acknowledges the recent growth in Filipino migration to New Zealand and seeks to identify a corresponding increase in Filipino musical activity.
The document discusses the evolution of music in the Philippines from indigenous music to contemporary genres. It describes traditional folk music genres like kulintang and rondalla that blend indigenous and Hispanic influences.
