Αποτελέσματα Αναζήτησης
The result is that the Philippines were exposed during centuries to a Western culture that produced changes in manners, philosophy and in many facets of life. As in Latin America, one music towards the West and another derives from indigenous sources.
This study covers the cultural history of music in Barangay Iglungsad, San Fernando, Bukidnon, Philippines, with a focus on the indigenous music of the Tigwahanons, aimed to provide a historical account of the music of this community.
This paper seeks to theorize the adverse and favorable effects of K-pop music with regard to its significance to contemporary Filipino national identity through assessment of history, culture, and meaning.
The document provides an overview of the history of Philippine music. It discusses the three main influences: indigenous traditions, Spanish-European influenced traditions, and American influenced traditions.
Through the research of Philippine music history, Filipino vocal music has reflected an artistic amalgamation of Asian-Indigenous, Spanish, and American influences. This cultural syncretism is prevalent in Filipino choral music, a tradition spearheaded by the nationally-renowned choral group, the Philippine Madrigal Singers, and the plethora of
The document discusses the evolution of music in the Philippines from indigenous music to contemporary genres. It describes traditional folk music genres like kulintang and rondalla that blend indigenous and Hispanic influences. It also outlines the development of popular music genres like OPM and Manila sound.
In an archival piece published in Tatler Philippines' August 2008 issue, we survey the origins of our nation's love and passion for music and performance.
