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  1. en.wikipedia.org › wiki › Honey_Don'tHoney Don't - Wikipedia

    "Honey Don't" is a song written by Carl Perkins, originally released on January 1, 1956 [2] as the B-side of the "Blue Suede Shoes" [1] single, Sun 234. Both songs became rockabilly classics. Bill Dahl of Allmusic praised the song saying, " 'Honey Don't' actually outclasses its more celebrated platter-mate in some ways."

  2. I'm sayin'. (Ah rock on George with Ringo one time) (Woo) Uh huh, honey don't. "Kansas City/Hey-Hey-Hey-Hey!" "Honey Don't" is a song written by Carl Perkins, originally released on January 1, 1956 as the B-side of the "Blue Suede Shoes" single, Sun 234. Both songs became rockabilly classics.

  3. 15 Μαρ 2008 · Honey Don’t’, Ringo Starr ’s vocal spot on the Beatles For Sale album, was written by Carl Perkins and originally released in 1956. We didn’t write this one, either. It’s Ringo’s solo piece, a simple and sweet piece which he handles as well vocally as he does his drum kit. Yes, he’s singing!

  4. www.wikiwand.com › en › Honey_Don'tHoney Don't - Wikiwand

    " Honey Don't " is a song written by Carl Perkins, originally released on January 1, 1956 as the B-side of the "Blue Suede Shoes" single, Sun 234. Both songs became rockabilly classics. Bill Dahl of Allmusic praised the song saying, " ' Honey Don't' actually outclasses its more celebrated platter-mate in some ways."

  5. Honey, Don't! est une chanson écrite et interprétée par Carl Perkins ; elle paraît le 1 er janvier 1956, en face B du 45 tours Blue Suede Shoes [1].

  6. Honey Don’t ” is a song written by Carl Perkins, originally released on January 1, 1956 as the B-side of the “ Blue Suede Shoes ” single, Sun 234. Both songs became rockabilly classics. Bill Dahl of Allmusic praised the song saying, “‘ Honey Don’t’ actually outclasses its more celebrated platter-mate in some ways.

  7. Released on February 1st, 1965, this EP starts out with "Honey Don't" on the first side and ends with the other Carl Perkins' song on side two. Peaking at #68 on the Billboard Hot 100, it was Capitol's last attempt at generating interest in the EP market for American Beatles fans.