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The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History . The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion ...
Among the most intriguing and confounding works of Jan van Eyck’s oeuvre are the Crucifixion and Last Judgment in New York’s Metropolitan Museum of Art. Although acquired in 1933 as a diptych, questions have remained about their initial configuration, and how these paintings functioned.
In the course of a new research project on the Crucifixion and Last Judgment in The Metropolitan Museum of Art – star works, attributed to Jan van Eyck – Maryan Ainsworth and her colleagues made the astonishing discovery that the outer, flat sections of both frames originally bore inscriptions in Middle Dutch on all four sides, significant ...
The Crucifixion and Last Judgement diptych (or Diptych with Calvary and Last Judgement) [1] consists of two small painted panels attributed to the Early Netherlandish artist Jan van Eyck, with areas finished by unidentified followers or members of his workshop.
This book relates the unfolding story of the investigations from in-depth technical research, facilitating the conservation treatment of the frames, to the art historical study that connected these findings to the religious, political, and social contexts of the times.
2 Φεβ 2016 · On January 25, the Department of European Paintings let everyone in on one of the most fascinating and unexpected reassessments I can think of, relating to one of the Met's most prestigious masterpieces: Jan van Eyck's "diptych" (but was it a diptych?) of the Crucifixion and Last Judgment, which is on view through April 24 in the exhibition A ...
19 Φεβ 2019 · Maryan Ainsworth. February 19, 2019. Jan van Eyck (Netherlandish, ca. 1390–1441) and Workshop Assistant. The Crucifixion; The Last Judgment, ca. 1440–41. Oil on canvas, transferred from wood, each: 22 1/4 x 7 2/3 in. (56.5 x 19.7 cm). The Metropolitan Museum of Art, New York, Fletcher Fund, 1933 (33.92ab) In a collection as vast and diverse ...
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