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The SLAM! also seems a natural as a mastering tool. The FET limiter works great on mixes, and the ELOP® now has a high pass filter switch that is spot-on for mastering. We offer a dedicated mastering version which eliminates the mic preamps, adds detented controls replacing the pots, and provides extra metering options.
16 Απρ 2005 · I just went to a session where they had a Manley Slam Mastering unit. WOW!!!!! I was completely blown away by it. They set the ratio on 2.1 on the ELOP with the 100hz switch in. This is the best optic compressor I ever heard on a mix. It made the mix very organic, and if I may say, more analog sounding.
25 Φεβ 2020 · Mastering Engineer Pete Doell (Miles Davis, Joe Perry, Toto, Sheryl Crow) tells us how the Manley Mastering SLAM!® is far more versatile than its name sugges...
4 Οκτ 2010 · When I started in the Mastering, this tool was probably the most dangerous to me! The price is expensive and there's no doubt that if I had the choice between "The Shadow Hills Mastering Compressor" and the "Manley SLAM!
The Mastering Version of the SLAM! incorporates detented and loggable 1/2dB steps built with 1% metal film resistors on sealed gold-contact Grayhill switches. You can read on the Sweetwater SLAM! page all the particulars about the limiters and the general gist of the SLAM!
20 Νοε 2023 · SLAM means Manley Slam (Stereo Limiter And Mic Pre-Amplifier). The Manley slam features stereo FET and ELOP limiters used for mastering control by the use of a switch instead of pots. The function of each tool has been expanded to serve the use of mastering.
11 Σεπ 2018 · Starting with the two tube microphone preamplifiers, the Manley SLAM! gives you 48V phantom power, phase reverse, and up to 60dB of gain and 20dB more gain in the limiter - plenty to...