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This Major Research Paper (MRP) written in fulfilment of the requirements for a Masters of Arts in Dance at York University, explores the embodiment of indigeneity in three contemporary dance theater pieces that are inspired by Filipino folk dance movements and indigenous ways of living.
30 Αυγ 2022 · Early records on Philippine dance had been written by foreigners and true documentation of dance only came in the second quarter of the 20th century, by Francisca Reyes Aquino in the late...
As we know today, the Philippine folk dance was shaped up by three periods: First is the pre-colonial period in which the pre-colonial Filipinos dance to appease the gods, which serves as a ritual; an example of this dance: “Tinikling”. Second is the arrival of Muslim Merchants, which are Malays.
These six volumes feature dances from diferent parts of the country, including Hispanized or Christianized dances, localized forms of European dances, as well as ethnic dances or those practiced by diferent indigenous communities in the Philippines.
Philippine folk dances can be dated back as early as the pre-colonial period which inherited by our forefathers and passed through several generations of Filipinos. These traditional dances are considered treasures of our homeland for they depict the humble beginnings of our native countrymen and serve as a symbol of national identity.
1 Ιαν 2019 · In this paper, I discuss how colonial politics informed, and continue to inform, the process of nation formation, by looking at ways by which practices and literature on folk dance traditions in...
Philippine folk dances are as old as the history itself which at present generation are rarely seen. The unavailability of a framework/guideline for folk dance documentation in the country affects the preservation and propagation of our rich Filipino folk dances depicting our beloved culture, customs, and traditions.
