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These responses underscore the initial skepticism towards Signac's unconventional approach in "Opus 217." "Opus 217" profoundly impacted modern art by emphasizing the primacy of color and its relationships, ideas theorized by Charles Henry and championed by Félix Fénéon.
In this portrait, Signac depicted Fénéon in left profile. The lines of the subject’s nose, elbow, and cane descend in a zigzag pattern, like the rhythmic “beats and angles” of the title, and the flower he holds rhymes with the upturned curl of his goatee.
31 Οκτ 2018 · Paul Signac, Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890, Gift of Mr. and Mrs. David Rockefeller, Image source: https://www.moma.org/collection/works/78734.
12 Ιαν 2013 · However, there is more than meets the eye in Paul Signac’s pa inting, playfully entitled Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Colours, Portrait of M. Félix Fénéon in 1890.
15 Απρ 2020 · A Curator’s Guide to Félix Fénéon Exhibition Highlights. Take a close look at 11 key works from the exhibition, with curator Starr Figura as your guide. Starr Figura. Apr 15, 2020. Paul Signac. Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890. 1890. Paul Signac.
Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890 . 1890 572 Oil on canvas, 29 x 36 1/2" (73.5 x 92.5 cm).
22 Δεκ 2020 · Considered one of the Museum of Modern Art’s fin de siècle masterpieces, the portrait bears an ornate title: Opus 217: Against the Enamel of a Background Rhythmic with Beats and Angles, Tones,...
