Αποτελέσματα Αναζήτησης
29 Ιουν 2017 · Ficino explained the relationship between music, the soul and body along with the cultivation of singing as an integral part of intellectual and spiritual exercise – as the ‘contemplation of the divine.’
Summary. MUSIC AND PHILOSOPHY. In the Phaedo (60d–61b), Socrates confesses that throughout his life he had interpreted the oneiric warning: ‘practise and compose music’ (mousikēn poiei kai ergazou) as an invitation to practise the ‘greatest music’ (megistē mousikē) that is philosophy.
5 Νοε 2014 · Socrates rejects a theory of soul-harmony in the Phaedo, but we shall see that, through the dialogues, Plato retrieves and re-elaborates the idea of a harmonic order of the soul as he moves from the Republic to the Timaeus.
This book adopts an innovative approach towards analysing the soul-body problem by uncovering and emphasising the philosophical value of Plato's treatment of the phenomenon of music. By investigating in detail how Plato conceives of the musical experience and its influence on intelligence, passions and perceptions, it illuminates the ...
This book adopts an innovative approach towards analysing the soul–body problem by uncovering and emphasising the philosophical value of Plato’s treatment of the phenomenon of music.
PLATO ON MUSIC, SOUL AND BODY. Plato’s reflection on the relationship between soul and body has attracted scholars’ attention since antiquity. Less noted, but worthy of consideration, is Plato’s thought on music and its effects on human beings. This book adopts an innovative approach towards analysing the soul–body problem by uncovering ...
In music, Plato identifies the possibility of an extra-rational aesthetic activity that prepares the soul for reasoned judgment: he makes musical mimesis the precondition to logos (speech, reasoned account) because of its ability to actualize in the soul the very ethos required of sound judgment.
