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The relative minor chord is the sixth degree chord of the major key in question. For example, the C relative minor chord is the sixth degree chord of the C major key, that is, Am (or Am7). Another example: suppose the tonality is G major. The relative minor of G will be Em (or Em7).
Have a look/listen to this performance of a G major scale and its relative minor – E minor: Vm. G major Relative Minor. P. d. The two keys are clearly different because they start on a different tonic note and one scale is major (sounds “happy”) whilst the other is minor (sounds “sad”).
Relative scales are major and minor scales that share the same notes and chords, and therefore the same key signature. Every major scale has a relative minor scale and every minor scale has a relative major scale.
To find the relative major key from a minor, take the first note of your minor key and go up three half-steps. The note you land on is now the first note of your major scale. How to find the parallel minor or major key. This is even more simple than finding the relative keys.
Relative Minor of G Major. Every major scale has a relative minor scale, which is a minor a scale that contains all of the same notes and chords as the major. It occurs on the 6th degree of the major scale, which for G major is E. So the relative minor for G major is E minor.
In the key of C major, the relative major chords are C, F, and G (1, 4, and 5). The relative minor chords are Dm, Em, and Am (2, 3 and 6). The B diminished chord is also a relative chord.
Relative keys are minor and major scales that share the same key signature; they have the same sharp, flat and natural notes – these constituent notes are known as “incidentals”. So, for instance, if two scales share a C♯, F♯ and G♯, they are said to have identical key signatures and, therefore, incidentals.
