Αποτελέσματα Αναζήτησης
7 Ιουν 2019 · Dossier. Published on June 7, 2019. Roma: Silence, Language, and the Ambiguous Power of Affect. Carla Marcantonio. From Film Quarterly, Summer 2019, Volume 72, Number 4. Where does one begin to write about Alfonso Cuarón’s Roma (2018) in the aftermath of its triple Oscar success?
- Summer 2019
from the editor. inspiration, lost and found b. ruby rich....
- Summer 2019
13 Ιαν 2019 · ‘Roma’ is a semi-biographical account of Cuaron’s childhood in a middle-class, white family in Mexico. It revolves around the central figure of Cleo, the selfless, devoted “manita” in a posh-house, based on Libo, Cuaron’s real-life nanny. The title “Roma” refers to the Colonia Roma, a neighborhood in Mexico City.
6 ημέρες πριν · By Isaac Feldberg. Roma speaks volumes about the ways in which men abuse and abandon the women in their lives; ultimately, the film is a declaration of feminine power, the might of the mother and the idea that women only have themselves to rely on. Roma, directed and written by Alfonso Cuarón.
11 Σεπ 2018 · Alfonso Cuarón's Roma is a singular achievement – a visually resplendent tale of empathy, focusing on a housekeeper in 1970s Mexico, and the family she works and lives with.
Roma is a 2018 drama film written and directed by Alfonso Cuarón, who also produced, shot, and co-edited it. Set in 1970 and 1971, Roma follows the life of a live-in indigenous housekeeper of an upper-middle-class Mexican family. [14] [15] It is a semi-autobiographical take on Cuarón's upbringing in Mexico City's Colonia Roma neighborhood.
20 Δεκ 2018 · The movie Roma is a beautiful hymn to women. It tells the story of Cleo, an indigenous (Mixtec) woman who works as a maid to an upper-middle-class Mexican family. She is wonderfully portrayed by Yalitza Aparicio, who had never acted before.
21 Νοε 2018 · It’s a masterful achievement in filmmaking as an empathy machine, a way for us to spend time in a place, in an era, and with characters we never would otherwise. The woman cleaning that driveway is Cleo (Yalitza Aparicio), a servant for a wealthy family in Mexico City in the ‘70s.
