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Romantic art. Caspar David Friedrich, Wanderer above the Sea of Fog, 1818. Romanticism in the visual arts, originating in the 1760s, marked a shift towards depicting wild landscapes and dramatic scenes, reflecting a departure from classical artistic norms. This movement emphasized the sublime beauty of nature, the intensity of human emotions ...
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Romanticism (also known as the Romantic movement or Romantic...
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Wikimedia Commons has media related to Romantic paintings....
- Romanticism - Wikipedia
Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century.
Caspar David Friedrich (5 September 1774 – 7 May 1840) was a German Romantic landscape painter, generally considered the most important German artist of his generation. He is best known for his allegorical landscapes, which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic ruins.
Wikimedia Commons has media related to Romantic paintings. Subcategories. This category has the following 12 subcategories, out of 12 total. A. Paintings by Ivan Aivazovsky (3 P) C. Paintings by John Constable (15 P) D. Paintings by Eugène Delacroix (1 C, 41 P) E. Paintings by Charles Lock Eastlake (2 P) F.
Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the ...
6 ημέρες πριν · Romanticism, attitude or intellectual orientation that characterized many works of literature, painting, music, architecture, criticism, and historiography in Western civilization over a period from the late 18th to the mid-19th century.
Romanticism in England. With the exception of William Blake, who practiced a more visionary art, the English Romantic painters favored landscape. Their depictions, however, were not as dramatic and sublime as their German counterparts, but were more naturalistic.