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  1. Music is a complex phenomenon with multiple brain areas and neural connections being implicated. Centuries ago, music was discovered as an efficient modality for psychological status enrichment and even for the treatment of multiple pathologies. ...

  2. The aforementioned psychological dimensions of music, and the psy-chological activities relevant to these dimensions, are highly dependent on context and schema. With few exceptions, we perceive melodies within frameworks of relevant scales (diatonic, chromatic, pentatonic, and so on);

  3. Rhythm as the time structure of music is composed of distinct temporal components such as pattern, meter, and tempo. Each feature requires different computational processes: meter involves representing repeating cycles of strong and weak beats; ...

  4. We wanted to cover many aspects of music, so we developed a multi-step procedure to create lists of descriptors to describe qualities specific to music (e.g., loud, fast) as well as psychological characteristics of music (e.g., sad, inspiring).

  5. 3 Δεκ 2017 · A large body of work now illustrates, under a range of conditions and with a variety of music genres, that emotionally exciting or powerful music impacts on these autonomic measures of emotion (see Bartlett, 1996; Panksepp and Bernatzky, 2002; Hodges, 2010; Rickard, 2012 for reviews).

  6. 3 Οκτ 2018 · We define communicative musicality as our innate skill for moving, remembering and planning projects in sympathy with others through time, creating an endless variety of dramatic temporal narratives in song or instrumental music.

  7. Patterns are fundamental to all cognition. Whether inferred from sensory input or constructed to guide motor actions, they betray order: some are simple, others are more complex. Apparently, we can erect a simplicity-complexity dimension along which such patterns may be placed or ranked.

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