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SOUND AND LITERATURE. What does it mean to write in, through and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy gener-ated by the sonic in literary studies from the late nineteenth century to the present.
Neil Rhodes and Chris Jones. Sound Effects traces the history of the relationship between oral conditions and aural effect in English literature from its beginnings in the Anglo-Saxon period through to the twenty-first century.
Sound Shape and Sound Effects of Literary Texts. Abstract: The sound of language comprises all articulatory, acoustic, and per-ceptual aspects of speech, including the phonological and phonetic recoding of orthographic symbols.
What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present.
This paper is an attempt to incorporate a description of some segmental rules of English into the framework of cyclic phonology which has grown out of the classical SPE type of phonology, on the one …
Sound devices are resources used by poets to convey and reinforce the meaning or experience of poetry through the skillful use of sound. After all, poets are trying to use a concentrated blend of sound and imagery to create an emotional response.
1 Ιουλ 2012 · This review considers evidence for a link between language and music at three levels of analysis: sound, structure, and meaning. These links not only inform our understanding of language and music, but also add to a more basic understanding of our processing of complex auditory stimuli, structure, meaning, and emotion.