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  1. SOUND AND LITERATURE. What does it mean to write in, through and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy gener-ated by the sonic in literary studies from the late nineteenth century to the present.

  2. Neil Rhodes and Chris Jones. Sound Effects traces the history of the relationship between oral conditions and aural effect in English literature from its beginnings in the Anglo-Saxon period through to the twenty-first century.

  3. What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present.

  4. What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present.

  5. Focusing on four different uses of literature by sound studies scholars, this paper aims to indicate how varied can be the uses of literature for thinking sound and listening.

  6. 12 Ιουλ 2019 · This document discusses various sound devices used in poetry, including alliteration, assonance, repetition, rhythm and meter, rhyme, and onomatopoeia. Alliteration involves repeating initial consonant sounds in words. Assonance repeats vowel sounds. Repetition emphasizes words or phrases.

  7. Sound Shape and Sound Effects of Literary Texts. Abstract: The sound of language comprises all articulatory, acoustic, and per-ceptual aspects of speech, including the phonological and phonetic recoding of orthographic symbols.

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