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Venetian painting. Titian, Salome with the Head of John the Baptist c. 1515; this religious work also functions as an idealized portrait of a beauty, a Venetian genre developed by Titian, supposedly often using Venetian courtesans as models. Venetian painting was a major force in Italian Renaissance painting and beyond.
The Bellinis and their peers developed a particularly Venetian style of painting characterized by deep, rich colors, an emphasis on patterns and surfaces, and a strong interest in the effects of light.
Vital, inspirational, enduring—it is almost impossible to overstate the impact of sixteenth-century Venetian painting on European art. An account of artists whose styles or approaches were literally transformed by the example of Titian or Veronese would comprise a veritable “who’s who” of the seventeenth century and beyond, from Rubens ...
Venetian art is known for its brilliant colors, clear light, sumptuous textures and dynamic compositions. Hercules turns away from the bejeweled woman who represents vice and reaches for...
The Venetian School, which arose during this thriving cultural moment, breathed fresh life into the worlds of oil painting and architecture by combining inspiration from classical-oriented forebears with a new impetus toward lush color and a distinctly Venetian adoration of embellishment.
1400 - 1500. Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini and his brother Gentile Bellini and their workshops, the...
Titian contributed to all of the major areas of Renaissance art, painting altarpieces, portraits, mythologies, and pastoral landscapes with figures. Titian trained under two other seminal Venetian artists, Giovanni Bellini (active by 1459, died 1516) and Giorgione (1477/78–1510).
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