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  1. The main issues discussed in Sounds and Perception are conigured around the ontology of sound: the location of sound, the nature of spatial hearing, the relation between hearing sound sources and hearing sounds (what comprises the contents of auditory perception).

  2. 1 Οκτ 2007 · It demonstrates how thinking about audition and appreciating the relationships among multiple sense modalities enriches our understanding of perception. It articulates the central questions that comprise the philosophy of sound, and proposes a novel theory of sounds and their perception.

  3. Sounds are public objects of auditory perception. By ‘object’ I mean only that which is perceived—that which is available for attention, thought, and demonstrative reference. Two listeners in a room may hear and talk about the same sound, and all in attendance may hear the sound of the same speech.

  4. I first elucidate the qualitative and quantitative nature of sound, explaining the ideality and negativity of sound, the temporality and hylomorphic form of sound, the propagation of sound, the causal sources of sound, and the mechanical nature of sound.

  5. 14 Ιουλ 2005 · The main relevant families of answers include proximal, medial, distal, and aspatial theories. Proximal theories would claim that sounds are where the hearer is. Medial theories—exemplified by mainstream acoustics—locate sounds in the medium between the resonating object and the hearer.

  6. 1 Νοε 2007 · Sounds proposes a novel theory of sounds and auditory perception. Against the widely accepted philosophical view that sounds are among the secondary or sensible qualities, O'Callaghan...

  7. 1 Οκτ 2007 · It articulates the central questions that comprise the philosophy of sound, and proposes a novel theory of sounds and their perception.

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