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“PHENOMENAL WOMAN” — MAYA ANGELOU (1928 –) Pretty women wonder where my secret lies. I’m not cute or built to suit a fashion model’s size But when I start to tell them, They think I’m telling lies. I say, It’s in the reach of my arms, The span of my hips, The stride of my step, The curl of my lips. I’m a woman Phenomenally.
16 Δεκ 2015 · Check Pages 1-8 of Phenomenal Woman by Maya Angelou in the flip PDF version. Phenomenal Woman by Maya Angelou was published by 55919 on 2015-12-16. Find more similar flip PDFs like Phenomenal Woman by Maya Angelou. Download Phenomenal Woman by Maya Angelou PDF for free.
In this collection of poems, we celebrate a special woman who has captivated hearts and minds with her beauty, grace, and inner strength. Through the artistry of words, we attempt to capture her essence, painting vivid portraits of her presence in our lives.
Angelou’s ‘Phenomenal Woman’ taps on the themes of womanhood, identity, pride, self-love, and self-acceptance. The main theme, womanhood, is celebrated throughout the poem. The line, “I’m a woman,” propagates her self-confidence in being a woman. She celebrates not only her bodily beauty but also her inner glow.
Get the entire guide to “Phenomenal Woman” as a printable PDF. Download. The Full Text of “Phenomenal Woman” “Phenomenal Woman” Summary. “Phenomenal Woman” Themes. Beauty and Self-Acceptance. Where this theme appears in the poem: Lines 1-60. Line-by-Line Explanation & Analysis of “Phenomenal Woman” Lines 1-4. Pretty women wonder ... ...
In this poem, she inspires all women to know their inner beauty and embrace their powerful divine femininity. A woman's worth and her beauty comes from within, the sunshine in her smile. True self-confidence does not come from the outside world nor can be based on societal expectations.
Poemhunter.com - The World's Poetry Archive. Maya Angelou(4 April 1928 - 28 May 2014) (born Marguerite Ann Johnson on April 4, 1928) was an American author and poet who has been called "America's most visible black female autobiographer" by scholar Joanne M. Braxton.
