Αποτελέσματα Αναζήτησης
27 Νοε 2021 · In the absence of a viable normative framework, this article aims to clarify copyright’s aims beyond theory, using an empirical analysis of the policy instead. An alternative approach. Copyright policy is not unique in having its basic approach and therefore record of success or failure challenged.
12 Σεπ 2022 · This article reviews selected copyright policy and legislation at the international, regional and national levels during the period 2011–2021 (the reference period). It focuses on two of the principal stakeholders of the ‘fair balance’ narrative in the internet age – rightholders and users.
However, although copyright law in the European Union remains essentially national law, national rules are gradually converging by means of alignment with international treaties and Union legislation, which harmonise the various rights of authors, performers, producers and broadcasters.
It explains in general terms the principles of copyright law and practice and describes the different types of rights that copyright and related rights pro-tect, as well as the limitations and exceptions to those rights. It also briefly covers transfer of copyright and provisions for enforcement.
31 Ιαν 2019 · Copyright issues are ubiquitous in the digital environment, yet the moral rights of authors, a historic and significant aspect of copyright law in almost every part of the world, remain in the shadows.
3 Μαΐ 2020 · Resisting the urge to cover everything, Simon Stokes delivered the fifth edition Digital Copyright: Law and Practice in 2019. The book has been a reliable rock in the sea of uncertainty that is digital copyright law for the past eighteen years.
27 Σεπ 1993 · The EU copyright law consists of 13 directives and 2 regulations, harmonising the essential rights of authors, performers, producers and broadcasters. By setting harmonised standards, EU copyright law reduces national discrepancies, and guarantees the level of protection needed to foster creativity and investment in creativity.
