Αποτελέσματα Αναζήτησης
11 Μαρ 2018 · Marble art has been held a prominent place in many major art movements for thousands of years. Here, we trace the evolution of marble sculpture, from the figurative marble statues of ancient Greece to more experimental contemporary works.
Famous individual types and quarries include from classical times Parian marble from Paros, used for the Venus de Milo and many other Ancient Greek sculptures, and Pentelic marble, from near Athens, used for most of the Parthenon sculptures, and by the Romans. [5]
David is a masterpiece of Italian Renaissance sculpture in marble [1] [2] created from 1501 to 1504 by Michelangelo. With a height of 5.17 metres (17 ft 0 in), the David was the first colossal marble statue made in the High Renaissance, and since classical antiquity, a precedent for the 16th century and beyond.
14 Φεβ 2020 · From time immemorial, marble has been a ubiquitous material in the Greek lands, a vibrant, glowing stone first exploited in prehistoric sculpture in the Late Neolithic era (5300-4500 BC), but most visibly in the third millennium BC during the Aegean Early Bronze Age.
4 Ιουλ 2021 · Intricate mantelpieces, fountains, staircases, and courtyards made of marble and other stone materials were more in demand during this period than other periods of European architecture. The Baroque and Rococo are most recognizably displayed in the Palace of Versailles in France and Peterhof Palace in Russia.
14 Δεκ 2014 · The extraordinary quality and quantity of the marble sculpture which adorned the 5th century BCE Parthenon in Athens made it the most richly decorated of all Greek temples. The sculpture, now mostly separated into the Parthenon Marbles (Elgin Marbles) and the Acropolis Museum Collection of Athens, once consisted of 92 metopes, a unique frieze ...
14 Σεπ 2024 · David, marble sculpture executed from 1501 to 1504 by the Italian Renaissance artist Michelangelo. The statue was commissioned for one of the buttresses of the cathedral of Florence and was carved from a block of marble that had been partially blocked out by other sculptors and left outdoors.
