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  1. 14 Νοε 2018 · I analyze how certain archetypes of male characters, namely the alpha-male, the underdog and the new man are (de)constructed and reinforced (and sometimes transgressed) in the films, and I...

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  2. Characters are, therefore, of decisive importance for the experience and the remembrance of films; for effects on the thoughts, the feelings, and the behaviours of viewers; for film analysis and film criticism; for the practice of production and marketing.

  3. Masculinity in Fiction and Film: Representing Men in Popular Genres 1945-2000 (2006) and two collective volumes to which I have contributed chapters: Carabí & Armengol’s Alternative Masculinities for a Changing

  4. I analyze how certain archetypes of male characters, namely the alpha-male, the underdog and the new man are (de)constructed and reinforced (and sometimes transgressed) in the films, and I also have a look at homosocial friendships, heteronormativity and able-bodied male characters.

  5. Aragorn from Lord of the Rings is probably the strongest example of the alpha male, same with Geralt of Rivia from The Witcher

  6. 14 Νοε 2018 · The Alpha Male: “Youre not even in the same league with me.” At first sight, it appears as though Pixar films have a heart for the average guy, maybe even the misfit, as the focus of attention is often on a “regular” person (as opposed to a prince or someone who possesses magical powers).

  7. 8 Ιουλ 2020 · explores the mythological Alpha male, as well as broader issues pertinent to ideological masculinities, their intersections with and interpolations in language, as well as related questions of hegemony. e chapter is struc-

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