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For this review, 24 German and English empirical studies that tested music’s potential to convey meaning were identified to be compared in their research questions, the characteristics of their...
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For this review, 24 German and English empirical studies...
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This study expands the traditional classification of musical structures and forms, offering a framework that can be applied to virtually any type of music. This approach may assist composers in reflecting on and enhancing their own structural and formal concepts.
1 Ιαν 2018 · PDF | On Jan 1, 2018, Jon Gillick and others published Telling Stories with Soundtracks: An Empirical Analysis of Music in Film | Find, read and cite all the research you need on ResearchGate
The music of film composer Thomas Newman brings to life some of the most beautiful reflective and introspective moments in cinema. In this thesis, I approach Newman’s understudied, but highly successful film scores from narrative, musical, and audiovisual perspectives.
ABSTRACT: The phrase structure of film music themes remains virtually unexplored in scholarly literature. This article proposes an analytical system that expands and adapts Caplin 1998 in order to categorize the gamut of film music themes in some detail.
This chapter introduces music theory as a practice that has been undertaken in Europe and Asia for many centuries, and defines it as a set of generalizations about musical sound, works, and (occasionally) composition or performance practice.
Blending Neoformalism with Gestalt Psychology and Leonard B. Meyer's musicology, this study treats music as a cinematic element and offers scholars and students of both music and film a set of tools to help them analyse the wide ranging impact that music has in films.
