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1. www.researchgate.net › publication › 45445676_Art_beyond_aesthetics_Philosophical(PDF) Art beyond aesthetics: Philosophical criticism, art history...

   www.researchgate.net › publication › 45445676_Art_beyond_aesthetics_Philosophical

   1 Σεπ 2004 · This essay addresses this question through the relationship between art criticism and philosophy. More specifically, it offers an account of the critical structure of an historically reflective...

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     This essay addresses this question through the relationship...

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2. www.researchgate.net › publication › 249625933_Art_and_philosophy_Rivals_or_partners(PDF) Art and philosophy: Rivals or partners? - ResearchGate

   www.researchgate.net › publication › 249625933_Art_and_philosophy_Rivals_or_partners

   1 Νοε 2005 · relation between art and philosophy have become polarized into two diametrically opposed positions – one which asserts the transformation of art into philosophy while the other upholds art’...

3. assets.cambridge.org › 97811070 › 41691An Introduction to the Philosophy of Art - Cambridge University...

   assets.cambridge.org › 97811070 › 41691

   An Introduction to the Philosophy of Art is a clear and compact survey of philosophical theories of the nature and value of art, including in its scope literature, painting, sculpture, music, dance, architecture, movies, conceptual art, and performance art.

4. www.academia.edu › 35399215 › Philosophical_Perspectives_on_Art_by_Stephen_Davies(PDF) Philosophical Perspectives on Art, by Stephen Davies,...

   www.academia.edu › 35399215 › Philosophical_Perspectives_on_Art_by_Stephen_Davies

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   Before looking at the philosophy of art, we first need to understand what philosophy is or we can say what a philosophical approach to art is. The word philosophy originates from two Greek words philo, meaning 'love' and sophia meaning 'wisdom'.

5. assets.cambridge.org › 97805218 › 00181Kant, Art, and Art History - Cambridge University Press &...

   assets.cambridge.org › 97805218 › 00181

   central founders of academic art history – especially W¨olfflin and Panofsky – as a way to demarcate and ground the discipline, Kant has not been perceived as pervasively influential in art history and the visual arts. Yet, for better or worse, his ideas (or those attributed to him) are immanent to these fields. To note an example so ...

6. www.academia.edu › 3235615 › A_World_Art_History_and_Its_Objects(PDF) A World Art History and Its Objects - Academia.edu

   www.academia.edu › 3235615 › A_World_Art_History_and_Its_Objects

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   22 Δεκ 2009 · In 1998 Carrier suggested that the philosophy of art history and the methodological analysis of ‘commentary on Chinese painting, African artifacts, Indian sculpture, and other traditions’ would require ‘a very different approach’ from his earlier accounts of twentieth-century art critics or of commentaries on Piero della Francesca or ...

7. www.researchgate.net › publication › 373195279_The_Development_of_Aesthetics_as_a(PDF) The Development of Aesthetics as a Philosophical Concept:...

   www.researchgate.net › publication › 373195279_The_Development_of_Aesthetics_as_a

   16 Αυγ 2023 · historical development of aesthetics allows us to grasp the intrinsic relationship between art, human nature, and society. By examining the historical context in which aesthetic ideas