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  1. psychological studies of the arts are not those probing preferences for one perceptual stimulus over another. Instead, using accepted methods of the social sciences—observation, hypothesis testing, and experimen-tation—psychologists in recent decades have begun to address theoret-

  2. 18 Ιουλ 2019 · Our goal here is to help answer this question by using insights from cognitive pragmatics and the philosophy of language to augment institutional theories of art, and to show how this approach casts light on the art experience more broadly.

  3. 2 Απρ 2019 · Her latest book, “How Art Works: A Psychological Exploration,” is based on years of research at both Harvard and BC, and looks at art through psychological and philosophical lenses. The Gazette spoke with her recently about her findings.

  4. 11 Ιαν 2021 · Here philosophers of art can undermine conceptual claims that it is not legitimate to value art cognitively on logical, historical, and, in virtue of empirical research, experimental grounds.

  5. In general, psychology emphasizes questions that can be resolved empirically (i.e. by observation), while philosophy emphasizes questions which can't. That said, philosophy and psychology of art have influenced each other tremendously.

  6. Psychologists working in empirical aesthetics argue that philosophical theories of art reflect the evaluative biases of critics and experts and so fail as objective accounts of artistic practice.

  7. 30 Μαρ 2017 · The psychology of art and aesthetics is the study of the perception and experience of the visual arts, music, film, performances, literature, design, and the environment. Art is a human phenomenon, and therefore aesthetics is fundamentally a psychological process.

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