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  1. 22 Νοε 2018 · This book is an examination of what psychologists have discovered about how art works—what it does to us, how we experience art, how we react to it emotionally, how we judge it, and what we learn from it.

    • View Chapter

      Despite the evidence presented in Chapter 11 showing that we...

    • Acknowledgments

      Eric Blumenson, a close friend and a lawyer steeped in...

    • Dedication

      Aesthetics and Philosophy of Art. Epistemology. Feminist...

    • Notes

      1. Seiberling (1959), p. 82.2. Balter (2009).3. Conard,...

  2. about the arts—those philosophical questions that are inherently about the mind. The research I describe is deeply informed by my association (since 1973) with Harvard’s Project Zero, a research group founded by philosopher Nelson Goodman with the goal of investigating the cogni-

  3. 22 Νοε 2018 · Art is a socially constructed, open concept that eludes formal definition. While art cannot be tightly defined, we can loosely define art by listing possible characteristics of works of art—recognizing that this list must remain an open one.

  4. 2 Απρ 2019 · Her latest book, “How Art Works: A Psychological Exploration,” is based on years of research at both Harvard and BC, and looks at art through psychological and philosophical lenses. The Gazette spoke with her recently about her findings.

  5. The discussion opened by Vygotsky throughout the book shows that philosophy, art, poetry, Sociology and Psychology are interrelated in such a way that they are a living theoretical...

  6. 1 Ιουν 2019 · Psychology, Art, Philosophy. For centuries, aesthetics was effectively a branch of philosophy. The questions asked were philosophical ones that could be answered by reason and did not call for empirical evidence—questions such as: What is art? What is beauty? What makes a work of art great?

  7. 21 Δεκ 2011 · We review examples from literature, music, and the visual arts that illustrate the potential of this interdisciplinary collaboration and provide counterarguments to philosophical skepticism about the relevance of psychology and neuroscience to the philosophy of art and aesthetics.

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