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29 Νοε 2020 · Attic black-figure amphora depicting Herakles killing the Lernaian Hydra with the aid of Iolaos, the fight is watched by Athena and Hermes, from Eretria, about 550 BC, National Archaeological Museum of Athens (13928466047).jpg 4,213 × 3,264; 10.26 MB
The objects on display in Room 14 include Athenian pottery depicting hunting, dancing and mythology. Andokides, whose signed vase is displayed in this room, was the leader of an innovative group of potters and painters working in Athens in the late sixth century BC.
Between the beginning of the sixth and the end of the fourth century B.C., black- and red-figure techniques were used in Athens to decorate fine pottery, while simpler, undecorated wares fulfilled everyday household purposes. With both techniques, the potter first shaped the vessel on a wheel.
20 Σεπ 2024 · In ancient Greek art, Athena was first depicted in pottery and sculpture, serving as a representation of the cultural values of her time. Early artistic representations can be traced back to the Geometric and Archaic periods, where her image began to take shape.
Athena stands holding a spear and the decorated stern of a trireme warship. The latter, known as an aphlaston, symbolized a naval victory. She wears a peaked helm, earrings, coiled bracelets and a long cloak and robe.
From around 450 BC, Athens was rebuilt as a great showpiece of Athenian power, wealth and art. On display in Room 19 are parts of the Erechtheion and Athena Nike temple.
Athenian pottery of the 6th century bce often features narrative scenes composed of black figures painted on a light inset background panel, while the surrounding vase surface is a deep lustrous black. The method by which this distinctive colour was achieved, involving a complicated three-stage process of firing, has been successfully analyzed ...
