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  1. 1 Δεκ 2021 · We found that female characters, like male characters, are capable of eliciting heroic and villainous perceptions, and schema activation for female characters is not systematically reduced as compared to male characters.

  2. 2 Μαΐ 2018 · By nurturing, rather than doubting, these ‘soft’ skills, we can make the most of being beta. For example, by reflecting and giving honest, well-thought-out feedback, betas can build trust and help others shine, too. Betas’ ability for observation and introspection can be invaluable for sparking creativity and ideas, in ourselves and in a ...

  3. Women Writing Trauma in Literature xi exploring how stories (both telling and reading) can transform worldviews and act as tools for healing.

  4. 8 Αυγ 2020 · This chapter argues that writing of Sylvia Plath, Muriel Spark and Doris Lessing exemplifies female writers’ preoccupation with questions of authorship, highly overlooked in the critical debate of the time.

  5. Gynocriticism constructs a new perspective of women’s literary history and explores the creativity of women against the male-oriented literary canon.

  6. processual nature of female identity illuminates diverse traits of writing by women, particularly its defiance of conventional generic boundaries and of conventional characterization.

  7. Little by little, literature became a suitable profession for a woman during the eighteenth and nineteenth centuries. You can trace the nature of the social pressures involved by reading between the lines of many of the life-stories here. When a father or a husband died leaving no provision, when business ventures failed,