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They resemble publicity pictures made on movie sets, adopted from female roles in magazines, advertisements and especially movies. All Sherman’s personas in Untitled Film Stills project the constructed idea of the women’s image, pointing out the arbitrariness of the female stereotypes.
Over three years, the series (presented here in its entirety) grew to comprise a total of seventy black-and-white photographs. Taken as a whole, the “Untitled Film Stills”—resembling publicity pictures made on movie sets—read like an encyclopedic roster of stereotypical female roles inspired by 1950s and 1960s Hollywood, film noir, B ...
Her breakthrough work is often considered to be the collection Untitled Film Stills, a series of 70 black-and-white photographs of herself evoking typical female roles in performance media (especially arthouse films and popular B-movies).
Cindy Sherman's prolific career had small beginnings at SUNY Buffalo, New York in the late 70s, where the artist gravitated towards film and photography, while playing with make-up and clothes in the privacy of her dorm room at an alternative art space.
27 Μαρ 2017 · Cindy Sherman’s ‘Untitled Film Stills’ challenges the way in which we view the role of being a woman. Through the act of turning the camera on herself, and directing and photographing the images through a vocabulary of popular film culture, she shows that being a women is a masquerade, a performance, something that you can freely choose ...
Cindy Sherman’s Untitled Film Stills is a suite of seventy black-and-white photographs in which the artist posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lonely housewife.
Her breakthrough work is often considered to be the collection Untitled Film Stills, a series of 70 black-and-white photographs of herself evoking typical female roles in performance media (especially arthouse films and popular B-movies).
