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  1. A major achievement in the field of translation, this anthology presents a rich assortment of classical Arabic poems and literary prose, from pre-Islamic times until the 18th century, with short introductions to guide non-specialist students and informative endnotes and bibliography for advanced scholars.

  2. The chapter examines the ways in which prose poets appropriated the works of mystics such as al-Niffari (d. 965) and prose stylists such as al-Tawḥidi (d. 1023), writings which share the prose poem’s generic evasiveness, its linguistic ambiguity, and shock effect.

  3. 20 Σεπ 2024 · A major translation achievement, this anthology presents a rich assortment of classical Arabic poems and literary prose, from pre-Islamic times until the eighteenth century, with short introductions to guide non-specialist students and informative endnotes and bibliography for advanced scholars.

  4. These are two theoretical cornerstones that launched the prose poem in Arabic. They are the first instances of using the Arabic term qaṣīdat al-nathr (prose poem) and by that announcing the entrance of the phrase into Arabic as a "simple abstraction."

  5. The Arabic prose poem gave rise to a profound, contentious and continuing debate about Arabic poetry: its definition, its limits and its relation to its readers. Huda J. Fakhreddine examines the history of the prose poem, its claims of autonomy and distance from its socio-political context, and the anxiety and scandal it generated.

  6. 1 Δεκ 2012 · A major translation achievement, this anthology presents a rich assortment of classical Arabic poems and literary prose, from pre-Islamic times until the eighteenth century, with short introductions to guide non-specialist students and informative endnotes and bibliography for advanced scholars.

  7. In its interrogation of poetry and its limit, the Arabic prose poem allows for a new conception of form that does not exist outside the poem but grows from inside of it. It invites us as critics and readers of Arabic poetry to revisit our understanding of structure in poetry ( bināʾ ) and use that to arrive at form.

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