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10 Μαΐ 2012 · Classical tragedy, Greek and Roman : 8 plays in authoritative modern translations accompanied by critical essays : Corrigan, Robert W. (Robert Willoughby), 1927-1993 : Free Download, Borrow, and Streaming : Internet Archive.
It presents a broad selection of key ancient sources, both visual and literary, about all aspects of performance – including actors, masks, stage props and choral dancing – as well as scenes from the plays themselves that offer insights into their staging, plots, and reception.
the Roman stage; 2) the period of literary drama (240 BCE – ca. 100 BCE), when the Romans primarily adapted classical and post-classical Greek plays; 3) the renaissance of popular entertainment (ca. 100 BCE. – 476 CE), when traditional Roman fare like circuses, spectacles and mime.
First, the basic structure of most ancient plays, like most musicals, involved alternation between song and speech. Second, the songs of ancient plays, like those of musicals, could have a wider cultural relevance, living on beyond their original performance context.
6 Φεβ 2023 · A wide and varied range of entertainment was available to a Roman audience: the traditional festivals with their athletic contests and dramatic performances, pantomime and mime, the chariot races of the circus, and the gladiatorial shows and wild beast hunts of the arena.
Using Music in Performing Roman Comedy. T. H. M. Gellar-Goad Timothy Moore. See full PDF download Download PDF. Related papers. Nancy Sultan. 2015. Pseudolus at the Ludi megalenses: Re-Creating Roman Comedy in Context. Nancy Sultan.