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Church Music and the Council of Trent 577 November 1563, a new formulation was devised and the task of carrying out the provisions for church music was entrusted to the Provincial Synods.3 The Council confined itself to a few principles which were designed to delimit the scope of church music.
The Council of Trent: Reform and Controversy in Europe and Beyond (1545–1700). Vol. 1 Louvain’s Contribution to the Ongoing Historiography on the Council of Trent 19 and musical culture. Moreover, this volume focusses on the global impact of Trent through missions in the Americas, Africa, and Asia.
Summary. The council’s principal ruling on sacred music, its condemnation of the “intermingling of anything wanton or impure,” took aim at immoderate practices such as self-indulgent virtuosity, complex counterpoint that obscured verbal texts, and the incorporation of music originally associated with lascivious lyrics.
third and final volume examines the afterlife of Trent in arts and music, as well as in the global impact of Trent through missions. The Council of Trent: Reform and Controversy in Europe and Beyond (1545-1700) Wim François,Violet Soen,Christopher B.
THE COUNCIL OF TRENT AND THE MUSIC OF MARC’ANTONIO INGEGNERI. by Giampiero Innocente. sed for 1,500 years were undermined at their very foundations. Luther and the reformers had called into question not only its theology and how it was articulated but also the nature of its communit.
The pronouncements of local church councils through-out Europe on the subject of abuses in music were but reflections of a general dissatisfaction with the condition of liturgical affairs.1 And by 1563, when the Council of Trent finally adopted its official position on the matter, the Council fathers could look back upon decades of com-
Church Music and the Council of Trent - Free download as PDF File (.pdf), Text File (.txt) or read online for free. The Council of Trent addressed church music in the 16th century to curb abuses and establish fundamental principles.
