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third and final volume examines the afterlife of Trent in arts and music, as well as in the global impact of Trent through missions. The Council of Trent: Reform and Controversy in Europe and Beyond (1545-1700) Wim François,Violet Soen,Christopher B.
Church Music and the Council of Trent 577 November 1563, a new formulation was devised and the task of carrying out the provisions for church music was entrusted to the Provincial Synods.3 The Council confined itself to a few principles which were designed to delimit the scope of church music.
The Council of Trent played a significant role in establishing the Catholic Church’s response to the Protestant Reformation, but its importance in the history of sacred musical practice has at times been overstated.
The Council of Trent addressed church music in the 16th century to curb abuses and establish fundamental principles. It insisted that music uplift worshippers and have intelligible text, avoiding secular expressions.
Summary. The council’s principal ruling on sacred music, its condemnation of the “intermingling of anything wanton or impure,” took aim at immoderate practices such as self-indulgent virtuosity, complex counterpoint that obscured verbal texts, and the incorporation of music originally associated with lascivious lyrics.
convene a council in Trent, which would go through twenty-five sessions over three periods between 1545 and 1563. As an answer to the advent of Protestantism, it redefined Catholic doctrine and issued measures for internal Church reform. The article will also show how, after the council’s solemn closure, its further implementation and
Français. Abstract. The Council of Trent. Reform and controversy in Europe and beyond (1545–1700), I: Between Trent, Rome and Wittenberg; II: Between bishops and princes; III: Between artists and adventurers. Edited by Wim François and Violet Soen.
