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Church Music and the Council of Trent 577 November 1563, a new formulation was devised and the task of carrying out the provisions for church music was entrusted to the Provincial Synods.3 The Council confined itself to a few principles which were designed to delimit the scope of church music.
Church Music and the Council of Trent - Free download as PDF File (.pdf), Text File (.txt) or read online for free. The Council of Trent addressed church music in the 16th century to curb abuses and establish fundamental principles.
The Council of Trent is believed to be the apex of the Counter-Reformation’s influence on church music in the 16th century. However, the council’s pronouncements on music were not the first attempt at reform.
Summary. The council’s principal ruling on sacred music, its condemnation of the “intermingling of anything wanton or impure,” took aim at immoderate practices such as self-indulgent virtuosity, complex counterpoint that obscured verbal texts, and the incorporation of music originally associated with lascivious lyrics.
The article then provides a summary of the three main periods of the Council of Trent: 1545–1547; 1551–1552; and 1562–1563 along with the 1547–1549 Bologna period. This is followed by a detailed overview of the reforms of the council, which were both doctrinal and disciplinary.
The Council of Trent: Reform and Controversy in Europe and Beyond (1545–1700). Vol. 1 Louvain’s Contribution to the Ongoing Historiography on the Council of Trent 19 and musical culture. Moreover, this volume focusses on the global impact of Trent through missions in the Americas, Africa, and Asia.
Abstract. The Council of Trent. Reform and controversy in Europe and beyond (1545–1700), I: Between Trent, Rome and Wittenberg; II: Between bishops and princes; III: Between artists and adventurers. Edited by Wim François and Violet Soen. (Refo500 Academic Studies, 35,1; 35,2; 35,3.)
