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Church Music and the Council of Trent 577 November 1563, a new formulation was devised and the task of carrying out the provisions for church music was entrusted to the Provincial Synods.3 The Council confined itself to a few principles which were designed to delimit the scope of church music.
The article then provides a summary of the three main periods of the Council of Trent: 1545–1547; 1551–1552; and 1562–1563 along with the 1547–1549 Bologna period. This is followed by a detailed overview of the reforms of the council, which were both doctrinal and disciplinary.
Arguably, the greatest contribution that the Council of Trent made to music history was to delegate responsibility for musical practice to provincial synods and bishops. In this essay I will identify some priorities for musical reform that existed in the Catholic Church at the time of Trent.
The Council of Trent: Reform and Controversy in Europe and Beyond (1545–1700). Vol. 1 Louvain’s Contribution to the Ongoing Historiography on the Council of Trent 19 and musical culture. Moreover, this volume focusses on the global impact of Trent through missions in the Americas, Africa, and Asia.
22 Σεπ 2009 · But following the Council of Trent and as a result of certain directives of the council's final sessions concerning liturgical music, a much more dramatic reform of Gregorian chant would soon commence.
reformed Protestant worship and generated new musical forms which were peculiar, and central, to it. Faced with this turn of events, the Catholic church gathered itself
MUSICAL REFORM AFTER THE COUNCIL OF TRENT By LEWIS H. LOCKWOOD T HE sources of the demand for reform in sacred music during the Counter-Reformation have been traced well back into the 15th century, and its widening course charted through the era of the Prot-estant secession. The pronouncements of local church councils through-
