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Church Music and the Council of Trent 577 November 1563, a new formulation was devised and the task of carrying out the provisions for church music was entrusted to the Provincial Synods.3 The Council confined itself to a few principles which were designed to delimit the scope of church music.
1 Ιαν 2012 · With respect to the liturgy, however, it is legitimate to raise the question whether the Council of Trent produced a genuine liturgical reform. This article proposes to answer this question...
Vol. 1 Louvain’s Contribution to the Ongoing Historiography on the Council of Trent 19 and musical culture. Moreover, this volume focusses on the global impact of Trent through missions in the Americas, Africa, and Asia.
The article then provides a summary of the three main periods of the Council of Trent: 1545–1547; 1551–1552; and 1562–1563 along with the 1547–1549 Bologna period. This is followed by a detailed overview of the reforms of the council, which were both doctrinal and disciplinary.
Arguably, the greatest contribution that the Council of Trent made to music history was to delegate responsibility for musical practice to provincial synods and bishops. In this essay I will identify some priorities for musical reform that existed in the Catholic Church at the time of Trent.
reformed Protestant worship and generated new musical forms which were peculiar, and central, to it. Faced with this turn of events, the Catholic church gathered itself
Trent John W. O'Malley,2013-01-15 Winner of the John Gilmary Shea Prize The Council of Trent (1545–1563), the Catholic Church’s attempt to put its house in order in response to the Protestant Reformation, has long been praised and blamed for things it never did.
