Αποτελέσματα Αναζήτησης
out the provisions for church music was entrusted to the Synods.3 The Council confined itself to a few principles. designed to delimit the scope of church music. The fact that the Council dealt with church music at all shows the. importance of music in the framework of the church reform,4 on the.
The article then provides a summary of the three main periods of the Council of Trent: 1545–1547; 1551–1552; and 1562–1563 along with the 1547–1549 Bologna period. This is followed by a detailed overview of the reforms of the council, which were both doctrinal and disciplinary.
third and final volume examines the afterlife of Trent in arts and music, as well as in the global impact of Trent through missions. The Council of Trent: Reform and Controversy in Europe and Beyond (1545-1700) Wim François,Violet Soen,Christopher B.
The Council of Trent: Reform and Controversy in Europe and Beyond (1545–1700). Vol. 1 Louvain’s Contribution to the Ongoing Historiography on the Council of Trent 19 and musical culture. Moreover, this volume focusses on the global impact of Trent through missions in the Americas, Africa, and Asia.
THE COUNCIL OF TRENT AND THE MUSIC OF MARC’ANTONIO INGEGNERI. by Giampiero Innocente. sed for 1,500 years were undermined at their very foundations. Luther and the reformers had called into question not only its theology and how it was articulated but also the nature of its communit.
Arguably, the greatest contribution that the Council of Trent made to music history was to delegate responsibility for musical practice to provincial synods and bishops. In this essay I will identify some priorities for musical reform that existed in the Catholic Church at the time of Trent.
Irène Plasman-Labrune analyzes the long struggle for Trent’s acceptance in France and points out that the demand for excluding ‘foreign’ clerics from pastoral care in France became an important point of discussion, merging Gallican claims with Tridentine prescriptions of residence.
