Αποτελέσματα Αναζήτησης
Church Music and the Council of Trent 577 November 1563, a new formulation was devised and the task of carrying out the provisions for church music was entrusted to the Provincial Synods.3 The Council confined itself to a few principles which were designed to delimit the scope of church music.
The article then provides a summary of the three main periods of the Council of Trent: 1545–1547; 1551–1552; and 1562–1563 along with the 1547–1549 Bologna period. This is followed by a detailed overview of the reforms of the council, which were both doctrinal and disciplinary.
Summary. The council’s principal ruling on sacred music, its condemnation of the “intermingling of anything wanton or impure,” took aim at immoderate practices such as self-indulgent virtuosity, complex counterpoint that obscured verbal texts, and the incorporation of music originally associated with lascivious lyrics.
The Council of Trent: Reform and Controversy in Europe and Beyond (1545–1700). Vol. 1 Louvain’s Contribution to the Ongoing Historiography on the Council of Trent 19 and musical culture. Moreover, this volume focusses on the global impact of Trent through missions in the Americas, Africa, and Asia.
The Council of Trent: Doctrine and Reform in Early Modern Catholicism. Wim François. This article will show how, only after long hesitations, the Catholic Church was able to convene a council in Trent, which would go through twenty-five sessions over three periods between 1545 and 1563.
1 Δεκ 2020 · The article then provides a summary of the three main periods of the Council of Trent: 1545–1547; 1551–1552; and 1562–1563 along with the 1547–1549 Bologna period.
Catholic Church, the Council of Trent (1545-1563) solidified its standard musical practices. In 2008, MIT’s Lewis Music Library acquired a book published in 1576 during the Counter-Reformation called the Sacerdotale.1 The book, sometimes referred to as a
