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  1. This research delineates choreography as a new aesthetics, the one of change. Through the development a series of new choreographic methodologies manifested in eight choreographic works and appropriate theoretical contextualization, this research extends traditional definitions of choreography.

  2. 17 Ιουλ 2020 · This study has focused on developing a quantitative methodology to characterize an artist’s behavioral patterns while creating an artwork. Inspired by a theoretical framework from animal cognition, we analyzed the decision-making process of an artist while choosing to invest more or less effort in given elements of the art piece.

  3. 5 Δεκ 2017 · As a socially engaged dance practitioner, I design participatory experiences that use artistic tools in multiple contexts to promote civic dialogue, inspire learning, and connect communities through collaboratively creating content-driven choreography.

  4. 1 Ιουλ 2023 · Furthermore, when people observe a performance of specific dance choreography, it has been shown that neural activity is affected by whether the observed choreography has been learnt. This change varies as a function of the age of the observer.

  5. 9 Φεβ 2012 · Many contemporary choreographers eschew the command style of choreography, opting for more collaborative approaches. One can also readily imagine, for example, a choreographer who works against any tendency to “move into empathy together.”

  6. 8 Μαΐ 2018 · Evidence shows increasingly independent, multidimensional, even oppositional relations between music and dance and a new fluidity in the behavior of artists, enabled partly by the advent of super-fast technology.

  7. 17 Ιαν 2020 · Choreographers and performers in contemporary dance collaborate in generating and exploring, editing, and combining ideas through movement. Our study focuses on the specific genre of dance-making that relies on improvisation to make movement material from these ideas, and on the part of the making process itself when improvisation is key.

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