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  1. Music, of all the arts, fancied itself as having an artistic monopoly on sound, but during the 1980s it was only able to muster up the ideas of two old warriors— musique concrète and John Cage—to lay aesthetic claim to

  2. 7 Απρ 2021 · E. Douglas Bomberger’s Making Music American is a highly engaging and deftly researched account of American musical activities in the year 1917. This specific y

  3. First published in 1999, the book charts a history of sound in the arts through the arc of modernism, the avant-garde, late-modernism, the experimentalism of John Cage, the work of the generation following him including artists such as Allan Kaprow, George Brecht, and Yoko Ono, as well as writers William S. Burroughs and Michael McLure, and ...

  4. 18 Δεκ 2018 · In his wonderful book, Making Music American, Douglas Bomberger gets us closer to the answer. He chronicles eight musicians—five classical ones including Fritz Kreisler, and three jazz players—during each of the 12 months of 1917.

  5. The year 1917 was unlike any other in American history, or in the history of American music. The United States entered World War I, jazz burst onto the national scene, and the German musicians...

  6. Women Making Music: The Western Art Tradition, 1150-1950. Ed-ited by Jane Bowers and Judith Tick. Urbana: University of Illinois Press, 1987. [xi, 409 p. ISBN 0-252-01470-7.] Writing about women's music history is a difficult task. It requires both uncovering information about women musicians dur-ing times when they were not supposed to

  7. Douglas felt that jazz was a great contribution of African American culture to the world. Here the figure in the center holds a saxophone in his hand with light circles radiating from the instrument. These circles represent sound waves spreading African American culture and music to the world.

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